In recent years, Manga has seen phenomenal success, not only in Japan, where it dominates the publishing industry, but also in the West, where it is steadily growing in popularity and influence. As swift and sudden as the popularity of this graphic art form may seem, Manga has, in fact, deep roots in Japanese culture, drawing on centuries-old artistic traditions. As early In recent years, Manga has seen phenomenal success, not only in Japan, where it dominates the publishing industry, but also in the West, where it is steadily growing in popularity and influence. As swift and sudden as the popularity of this graphic art form may seem, Manga has, in fact, deep roots in Japanese culture, drawing on centuries-old artistic traditions. As early as the twelfth century, Emakimono scrolls existed, a narrative form in which stories of all kinds—romantic, fantastic, even comic—were told through the combined use of text and illustration. Japanese art continued to change as profound political, social, and economic transformations remade the country in the centuries to follow.

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Today there is little doubt as to the meaning of the term Manga—nor to the astonishing popularity of the form—but few in the West understand the long artistic history that gave birth to this phenomenon and the social factors that continue to shape it today.One Thousand Years of Manga is both an informative account of the genesis of the form and a visual delight. Through its captivating illustrations and enlightening text, the book situates Manga in its proper context, appreciating it for what it truly is: an integral part of Japanese art and culture that is as rich and revealing as it is popular. This is a great book for those who want to understand manga's evolution. It is very well explained and exemplified.

Images shown are beautiful and hard to find elsewere. Explanations from the origins of manga up to 1950's are very detailed. But then, it gets more superficial, maybe because there are more authors and works to cover now a days.

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It doesn't tell much about modern manga (1990's- and after). It is still a very good book. Includes interviews with important mangakas and filmmakers, awesom This is a great book for those who want to understand manga's evolution.

It is very well explained and exemplified. Images shown are beautiful and hard to find elsewere. Explanations from the origins of manga up to 1950's are very detailed. But then, it gets more superficial, maybe because there are more authors and works to cover now a days. It doesn't tell much about modern manga (1990's- and after).

It is still a very good book. Includes interviews with important mangakas and filmmakers, awesome images and it is easy to follow. Wonderful book that shows the connections between early cave paintings, scrolls, ukiyo-e prints and modern manga and anime. Despite the obvious influence of Western art, particularly Disney and Fleischer in the early days of Tezuka, the ideas and themes are incredibly Japanese. Great photos and a handful of interviews with greats like Isao Takahata and Jiro Tanaguchi, as well as a handy-dandy guide of Japanese terms used throughout the book. I'm fairly certain this was an academic textbook, base Wonderful book that shows the connections between early cave paintings, scrolls, ukiyo-e prints and modern manga and anime.

Despite the obvious influence of Western art, particularly Disney and Fleischer in the early days of Tezuka, the ideas and themes are incredibly Japanese. Great photos and a handful of interviews with greats like Isao Takahata and Jiro Tanaguchi, as well as a handy-dandy guide of Japanese terms used throughout the book. I'm fairly certain this was an academic textbook, based on the format and writing style, so if you are a student researching manga, I'd highly recommend this work. A fascinating look into the roots of Japanese comics. I always knew there was a relationship between ukiyo-e and modern manga, but I appreciated the attention to historical detail the author provides in her discussion of the transition. My favorite parts include a look at Mizuki Shigeru's process for his monster-filled tribute to the ukiyo-e master Utagawa Hiroshige's 'Fifty Three Station's of the Tokaido.'